1. THE PROBLEM
In this section, we will discuss why it is so difficult to see and feel climate change as a problem, and the work it takes to make it feel real to those outside the scientific community. We start with a highly specialized paper, look at a recent public encyclical published by Pope Francis in anticipation of the important climate change conference that just took place in Paris, and think deeply about Elizabeth Kolbert's book on the distressingly large number of extinctions we are witnessing.
23/2 Welcome
25/2 Hansen, Sato, Reudy (.pdf)
1/3 Pope Francis (.pdf)
3/3 Kolbert 1-22
8/3 Kolbert 23-110; Crutzen (.pdf)
10/3 Kolbert 111-147; Reflection Paper 1 Due
15/3 Kolbert 148-235
17/3 Kolbert 236-269
2. EVERYDAY OBSERVATIONS
If climate change is a truly planetary phenomena, it's marks should be everyway, perhaps to the point where it recedes into our background. What can we do to be more attentive to these marks? What marks do we nevertheless miss? In addressing these questions, we start with Thoreau's important nineteenth-century essay about the way walking attunes us to the nature around us. We then turn to Teju Cole's novel Open City, which focuses on the very routine experiences of a highly educated and cultured character who spends his days walking the streets of New York City and Brussels. We conclude with a rigorous and fanciful essay by the political theorist Jane Bennett, who argues that physical things may have a power all their own that we ordinarily overlook. How might our sense of the everyday change if the things we take for granted suddenly appear to us to be animate?
22/3 Thoreau (.pdf)
24/3 Cole 3-32; midterm check-in
BREAK – NO CLASSES
5/4 Cole 34-107
7/4 Cole 108-146
12/4 Cole 147-259
14/4 Bennett (.pdf); Reflection Paper 2 Due
3. THE ANTHROPOCENE AND VENICE
One of the most prominent ideas that have emerged in scientific and humanities discussions about climate change is the "anthropocene,"a name for an entirely new geological epoch in which the dominant force on the planet is human. We start with a few pieces that try to understand the significance of thinking of ourselves as being in the anthropocene, and then we turn to Venice as a laboratory for thinking concretely about what living in the anthropocene looks like, and could look like. We might say that the primary text for this section of the course is the city of Venice itself.
19/4 Purdy, "Should We Be Suspicious" (.pdf); "An Ecomodernist Manifesto" (.pdf); ""A Call to Look Past the Ecomodernist Manifesto: A Degrowth Critique" (.pdf)
21/4 Fletcher and Da Mosto (.pdf)
26/4 Keahey (.pdf)
28/4 Newman (.pdf); Reflection Paper 3 Due
4. IMAGINING THE FUTURE
The final section of the course turns to a recent novel by Paolo Bacigalupi, a popular writer of science fiction who has consistently turned his creative energies toward building worlds where climate change is an inescapable reality. The Water Knife is his most recent novel, set in the North American Southwest where severe water shortages have become the norm. We will also screen either an excerpt from the movie Beasts of the Southern Wild or an episode from the first season of the HBO television show True Detective. I will leave it up to the class which we see; both are set in the watery bayous of Louisiana, and will make at once an interesting contrast to Bacigalupi's novel and a reminder of the lagoon that surrounds Venice.
3/5 Bacigalupi 3-133
5/5 Bacigalupi 134-185
10/5 Bacigalupi 185-318
12/5 Bacigalupi 319-371
17/5 Film Screening
19/5 Discussion
Final Paper (due date to be determined)
Class participation and co-lead class discussion (30%); three 2-3 page reflection papers (10% each); 7-8 page creative nonfiction paper (40%).
Co-lead class discussion. Depending on class size, I will ask you as individuals or as a group to come up with discussion questions and lead the first part of class discussion.
Regular attendance, appearance on time, attentiveness to what's happening in class, contributing to discussions, and doing all of the required reading are essential to this course, especially as it will be discussion based. Please be sure to maintain all absences to a minimum and appear on time. Class participation and attendance is REQUIRED as per VIU attendance policy. If you are ill, you must contact me by email.
Since you are all adults, I do not feel comfortable prohibiting the use of computers or other electronic devices in class. However, I want to discourage their use in the strongest manner possible. The latest research in student learning suggest people learn better when they write down their notes rather than type them into a computer (for instance, see http://pss.sagepub.com/content/25/6/1159). Use of such electronic devices can also be distracting for other students, whose attention will inevitable be drawn to whatever is on your screen as opposed to what's happening in class.
Reflection papers are designed to guide reflection on readings and class discussion.
Reflection Paper 1 (9/17)
Explain the science of climate change in your own words, building on what you already know about this subject. What is causing it? What effects is it having on the physical world?
Reflection Paper 2 (10/1)
Choose a passage from Open City that you find especially memorable, and that seems relevant to your experiences in Venice. What makes this passage memorable, paying special attention to the way it is written (for example, to language, tone, imagery)? How does it help you to think about the city of Venice?
Reflection Paper 3 (10/15)
Choose a place in Venice. Describe it in detail, and explain why you have chosen to write about it. How does thinking about climate change or the anthropocene affect your understanding of this place?
Nonfiction Paper is meant to encourage you to draw together everything we've discussed in class, and apply it to a reading of your surroundings. If climate change is everywhere, how does it affect a place you encountered while in Venice? The reflection papers are designed to get you thinking about this question as the course progresses and connect your thinking to the reading. The final assignment is meant to provide you with an occasion for synthesizing your thinking in a formal and extended way. See separate handout for more instructions.
Books:
Elizabeth Kolbert, The Sixth Extinction: An Unnatural History
Teju Cole, Open City
Paolo Bacigalupi, The Water Knife
Shorter Pieces (distributed electronically):
James Hansen, Makiko Sato, and Reto Ruedy, "Perceptions of Climate Change," PNAS: Proceedings of the National Academy of Sciences (August 6, 2012): E2415-2423.
Pope Francis, Laudato Si' (excerpts)
Paul Crutzen, "Geology of Mankind," Nature 415 (3 January 2002): 23.
Jane Bennett, "The Force of Things: Steps Toward an Ecology of Matter"
H.D. Thoreau, "Walking"
Jedediah Purdy, "Should We Be Suspicious for the Anthropocene?" Aeon Magazine (March 31, 2015) <">http://aeon.co/magazine/science/should-we-be-suspicious-of-the-anthropocene/>
"An Ecomodernist Manifesto" < ">http://www.ecomodernism.org/>
"A Call to Look Past the Ecomodernist Manifesto: A Degrowth Critique" < ">http://www.resilience.org/articles/General/2015/05_May/A-Degrowth-Response-to-An-Ecomodernist-Manifesto.pdf>
Caroline Fletcher and Jane Da Most, excerpt from The Science of Saving Venice
John Keahey, excerpt from Venice Against the Sea: A City Beseiged.
Kathy Newman, "Vanishing Venice," National Geographic (August 2009). <">http://ngm.nationalgeographic.com/print/2009/08/venice/newman-text>